Search Results for: label/chocolate war

YA Reissue Cover Makeovers — Updating for New Readerships

Reissues of older YA works — those that have gone out of print, as well as those still in print but dated — aren’t a new concept. But as YA continues to grow and authors who were publishing before things heated up find themselves becoming more well-known, more older titles are seeing their covers getting facelifts. Sometimes, the reissue/redesigns come at a key anniversary for the book, as a means of introducing it to new audiences, and other times, these can come when a related book to a series appears, and the new look is meant to revive interest in it.

These reissues and redesigns typically fit newer trends in design and appeal to today’s market. Unlike mid-series redesigns, where the second book in a trilogy gets a new look and that new look carries throughout the rest of the series, these books are titles that have been out already but are getting entirely new looks through and through. An example of reissue and redesigned books you might be familiar with are the reworked Ellen Hopkins books, which maintain a lot of elements of the initial book covers, but they also appear new and fresh.

I find knowing about redesigns is helpful and worthwhile because it can help me make a decision when I’m weeding and updating the YA collection at work; if I know something is being redesigned and will have a wider appeal than the books I have, I might choose to weed and replace. Likewise, it’s helpful when I’m missing book two in a trilogy, as I might then choose to weed them all and replace with the updated look. It seems like 2014 is a big year for these reissue redesigns, so I thought it’d be interesting to round up a bunch of ones I’ve noticed recently and talk about whether they hit the mark or miss it.

Did you know this year marks the 40th anniversary of Robert Cormier’s The Chocolate War? You might remember last year’s read along, and one of the things I talked about was the evolution of the book’s cover. I think the reissue for the 40th anniversary on the right is excellent. It captures the mood and spirit of the book and doesn’t date it in the least. I love the font treatment for the title especially. The reissued cover will be out in late spring this year.

Though I think that Philip Pullman’s “His Dark Materials” series might be more middle grade than YA, I wanted to include this series in my post because the redesign it’s getting this spring ages it up a bit. The original covers above are illustrated and look quite juvenile. While they look appropriate for the readership, they also look dated. They look like books from the late 1990s (and early 2000s).

This isn’t the first redesign for the series, but another one done to keep it fresh and of interest to readers. But this one certainly looks current and maybe helps age up the series too. The lack of illustrations and focus instead on an iconic image helps that. These covers will hit shelves in April.

Did you know that Lauren Myracle’s ttyl turns ten years old this year? It doesn’t seem like they came out that long ago, but they did. The above are the original covers, and this year, in honor of the tenth anniversary, they’re being reissued with new covers. And I think the new covers are excellent.

The covers are nearly identical to the originals — right down to the color — but they’ve been updated to look more clean and modern. The emoticons are in today’s style, and the font used for the titles is much more in line with today’s design trends. The biggest change is that Myracle’s name is much larger, but it makes sense: she’s really become a well-known name in YA since these books came out. Perhaps due in part to these very books.

The original coves of Garth Nix’s Abhorsen series are above. They’ve changed a little bit over the years, though these are the covers which stick out in my mind whenever I think about them — the series came out when I was in high school.

In June, these are the covers the series will be getting. They’re not bad, but they remind me a lot of the “iconic” covers of Suzanne Collins’s The Hunger Games series. It’s a smart move since the covers might be more timeless and they certainly fit a trend going on right now, though they might also blend in because of that. I do think it’d introduce the series to new readers since they look fresher than the originals.

If you remember these covers for Ann Brashares’s Sisterhood of the Traveling Pants series, you’re probably of a certain generation. They’re illustrated with nary a real girl on them.

A few years ago, they got a facelift to include actual girls with pants that look like this:

These redesigns looked like a lot of other contemporary books featuring female main characters of the time. They also looked a lot older than the original covers, which I think was — and is — on trend with how a lot of YA books are designed.

This series is getting another new look this April, as the paperbacks are being relaunched in anticipation of Brashares’s new YA book.

The redesigns are certainly in line with current cover trends: we have a font-driven design. Aside from the bright colored font, though, I think the new covers are really boring. They’re minimalist, which I tend to like, but I think they blend too much into the landscape. There’s nothing that makes them stand out (that could be said about the second set of covers I linked to, too, which I think still are appealing to teen readers). Is it me or is there some weird photoshopping going on in the third cover with the butt of that girl’s jeans?

What’s most interesting to me is that the author is introduced as the author of The Here and Now. She’s no longer called the New York Times Bestselling author of this very series (as she was in the first set of covers).

The last series of redesigning come from Tom and Laura McNeal. Tom McNeal, as you may or may not know, wrote Far, Far Away last year, which garnered quite a bit of attention. I like the way they’re going to recover and reissue his and Laura’s backlists. The new looks are much fresher and appealing to today’s readers — older covers are on the left with the new covers on the right.

I especially like the new look to Zipped — it has an entirely different vibe and I want to pick it up.

The reissued covers will be available June 10.

These aren’t the only redesigned/reissued covers we’ll be seeing in the new year. Keep an eye out for even more of Judy Blume’s books to be redesigned (the first two have been revealed already over here) and Maggie Stiefvater’s Shiver series is getting a bit of a facelift (it’s primarily in color saturation, and you can see those redesigns here).

If you’re a fan of the Anne of Green Gables series, you might already know that Sourcebooks will be reissuing those, as well. It’s worth checking out the covers they’re using, too, which you can see the first two covers of here.

Any of these stand out to you as winners? Any you think were better in their original looks? I’d love to know, too, if you know of other reissues coming out this year.

Kelly’s Top Five Posts of 2013: A Look Back

Kimberly hit on a lot of what I have to say about 2013 when it comes to blogging. We reached over a million hits, continued a couple of old series, kicked off new ones, and we passed our fourth year blogging together. In addition to all of those exciting — and big — milestones, 2013 was, I think, our strongest year when it came to writing and blogging more generally. I think for the first time for me, this blog felt like a real outlet and place to explore new ideas. Some of them began as small ideas and exploded into much bigger things when I wrote them out, while others I thought were bigger stayed small and confined to the blog. It was such a different year for blogging more broadly, too, which I plan on talking a bit more about next week sometime.

As Kim said, we thought it would be worthwhile to talk about some of our individual favorite posts from the past year. Here are five of my top picks, in no particular order:

Female Sexuality in YA Fiction

After writing this post back in June about female sexuality in YA, I’ve not stopped thinking about this topic. And I’m not just thinking about it as more books publish that tackle the subject, but I’m thinking about it in terms of backlist, too. A few people pointed me to older titles that explore female sexuality in some capacity, and I am really looking forward to reading them and thinking about how far — or not far — YA fiction has come in how it approaches girls and sexuality.

When We Talk About “Girl Problems”

Kind of going hand-in-hand with the sexuality post was this one about the notion of “girl problems.” What does it mean to be a girl and how are the problems girls face handled in YA fiction? More than that, how are they responded to by readers? I loved talking about love triangles, as well as talking about the idea of the “every girl” that Sarah Dessen writes about (and that I think Dessen gets unfairly dinged for sometimes, too). I also think this post corresponded quite a bit with what I talked about in terms of “unlikable” female characters, too.

Getting Past the Easy Reach

When you commit something to paper (or blog, as the case may be), it’s harder to ignore your own words since you have to face them if someone calls you out on them. This particular post was one that I needed to write because I needed the reminder of the value of recommending the reads that fit the reader, rather than the reads which are most obvious and easiest to grab. It was this post that really inspired me to want to write the “Beyond the Bestsellers” series at Book Riot, and it’s the post I think those who do reader’s advisory should think about — I’d love to see more people talk about how to move beyond the easy reach.

Fat Isn’t A Disability, But It Is A Book Deal Breaker

The more I think about my favorite posts this year, the more interrelated I see that they are. The long and short of it seems to be that it’s hard to be a girl.

On Book Packagers and Literary Development Companies

This was just a straight-up fun post to write. There are posts you write that you know took you a long time to write because they required a lot of work — I’m looking at the New York Times Bestsellers Posts — and then there are posts you write that you know took a long time because you kept letting yourself fall down new rabbit holes. This was the rabbit hole post.

It was a real blast this year to return to the So You Want to Read YA series, as well as the Contemporary YA Week series. It was equally fun to try out a group read along for Robert Cormier’s The Chocolate War, as well as giving a series about reader’s advisory a shot, too. Kimberly and I both loved putting together the monthly genre guides, as well as interviewing authors we respect for our monthly Twitterview series. Of course, writing reviews for books that really worked — as well as dissecting what didn’t work within a book that wasn’t a knock out for me — is always enjoyable, too.

One thing I discovered this year and that I’ll talk a bit more about in a future post is how much readership and audience has changed over the last year. When we once knew our readership pretty well, now we’re less aware (and maybe less concerned, too). It’s neat to see where and how people are finding us, and it’s been so great to see not just our content be shared, but it’s enjoyable to reader other people’s responses to our posts via their own blogs, tumblr, Twitter, and other outlets. There’s never a time when I don’t have at least a page worth of post ideas, thanks in big part to those of you who read and think about what it is we have to say.

I’m not a resolutions person, though I do like to set goals (resolutions to me sound too absolute and focus too much on an end result, whereas goals allow for celebrating and feeling accomplishment in the interim steps along the path). In the coming year, it’s my goal to keep writing what I feel like writing and to cover some of the things people have suggested I look at but I thought maybe I didn’t have the time or energy to do. The truth is, that time is there. It’s just a matter of sitting down and putting the effort in to do it — and that’s one of those interim steps along the way I love and look forward to but forget about until I get the chance to reflect upon the value it brings to me.

As always, a huge thank you to our readers, to those who comment or share or encourage us along the way. We’d probably still blog without it, but it’d be a much less enjoyable or inspiring experience.